Blak Led Tours Tasmania is available to undertake high quality and unique experience development and storytelling projects across lutruwita/Tasmania and beyond
Have a look at some recently completed projects
makara patapa / Quit Smoking Storytelling Project
Blak Led Tours Tasmania was contracted by the Tasmanian Aboriginal Centre to undertake a storytelling project around the makara patapa/quit smoking program offered by the Aboriginal Health Service.
Goals of the project were for Aboriginal people to hear stories about smoking cessation; For TAC service providers to understand the long-term and holistic approach taken by the service. This was to be achieved through the creation of enduring resources to support the program, delivered through as many mediums as possible, across the 3-regions.
The storytelling project centred around the theme of Good smoke/bad smoke – contrasting the ways Aboriginal community use smoke and fire culturally (for gatherings, cooking, caring for country, ceremony, cleansing etc) to the use of cigarettes.
An added benefit of this project was that this storytelling project was completely led and managed by Aboriginal people, 13 Aboriginal community stories were recorded for the podcast.
Of the eight contractors that received payments for the delivery for this project, seven were Aboriginal people and businesses – including in the recording and editing of the podcast, art commission and caterers for the launch event. A further three community members (one from each region) received funds for their participation in the story sharing.
mumara patrula/ Wood for the Fire
Blak Led Tours Tasmania was approached by Kingborough Council to develop a new tour of their region in 2022.
The new tour mumara patrula / wood for the fire was launched in September 2022 and is licensed to the Council for two years.
This enlightening and moving guided tour is the first and only Aboriginal authored tour available south of nipaluna/Hobart.
Grounded through stories of fire, earth and water, this guided tour uses the true stories of legendary historical Tasmanian Aboriginal figures of the region, as anchors to tell the deep and ongoing story of Aboriginal connection to this coastal landscape.
On this tour, the stories unfold as you take a gentle walk on a bush track along the coastline of Trial Bay, looking across to lunawuni (Bruny island).
Created by: Nunami Sculthorpe-Green
Dramaturge: Sarah Hamilton
Produced by: Performing Lines TAS and Kingborough Council
Proudly presented by: Kingborough Council
Duration: 1 hour and 30 minutes
Photographs by Jillian Mundy
Bookings for mumara patrula / Wood for the Fire are managed by Kingborough council with tickets sold through eventbrite
Nunami of Blak Led Tours Tasmania was commissioned by Spring Bay Mill to engage in a process of truth telling, exploring the Tasmanian Aboriginal history of the site in order to develop a new Aboriginal tour of the Mill site.
tunapri trayapna / understand Triabunna is a 90-minute tour that connects participants with the deeper layers of history that exist on the site that is already brimming with visible layers of story.
tunapri trayapana is a story of resistance and regeneration ~ of both the land and people ~It speaks to the story of Big River and Oyster Bay people of the area, putting their stories back into the landscape and connecting attendees with the deep history and current regeneration of the Spring Bay Mill site at trayapana
It was written as a companion piece and prequel to the takara nipaluna/walking Hobart tour.
Tunapri trayapa was delivered for the first time at Spring Bay Mill at Nocturna for the Beaker Street Festival in August 2022 and has been offered to those attending conferences, events and festivals at Spring Bay Mill – such as the Squid Fest in November 202
Beaker Street Festival
For Beaker Street Festival 2022, Nunami facilitated a panel on the topic ‘Is Science Really for Everyone’. This panel featured palawa women Zoe Rimmer, Theresa Sainty and Professor Maggie Walter.
The panel spoke to why so many people and so many cultures feel excluded from, and even exploited Western Science, highlighted the limitations of western science in capturing indigenous knowledges and ways western science can be incorporated into cultural revitalisation projects.